Category: Technical


“Faux Flower”
Thursday, May 19, 2011

iPhone 4 Camera
Photoforge 2
Pop! Cam – Kaleidoscope Lens

As a boy, I loved to look through my grandparents’ kaleidoscope.  They lived on a farm and their stoic nature belied the world I saw through their magical tube.  The colors and light danced into ever-changing displays of astonishing crystalline worlds.  And the vision it created of the “reality” around me ignited my imagination.

Today, I relived my childhood memories through a new iPhone app called Photoforge 2. It is an astonishingly powerful camera phone app which gives one much creative freedom to alter and enhance their photographs directly on their phone and then disperse them through any social media means they desire.  To read an review of the new Photoforge 2 app, visit the following link:

PhotoForge2 Now Available in the App Store!

Today, I will simply exhibit examples of before and after photographs of shots I took over the past year to which I also applied the kaleidoscope  lens and other filters from Photoforge 2.  It can be very gimmicky, but sometimes the images created through a kaleidoscope lens can be awe-inspiring.

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“Old Mack”
Junk Yard, Carlisle, PA
Tuesday, April 26, 2011

iPhone 4 Camera
Noir Camera App – Red Giant Software
Hipstamatic iPhone App
Lens: John S
Film: Kodot XGrizzled
Flash: off

NOIR – RED GIANT SOFTWARE

Red Giant Software, maker of the PLASTIC BULLET iPhone App (which I reviewed on Day 56 of my blog), just released another iPhone camera app called NOIR.  At a cost of $2.99, it boasts great toned prints in a blink-0f-a-shutter.

In this post, I will give a brief explanation on how to use it, along with how it affected today’s photo of the day.

After downloading the app and opening it, you are presented with a stunning graphic first page.  Kudos to Red Giant for enticing everyone with this beautiful, simple image.  Simply tap the screen anywhere and it takes you directly into the app, itself.  Press the double-page icon at the bottom right and load an image from your phone photo library, and after a few seconds it loads it back into this page.

Now this is how simple this app is.  Press any of the six tabs in the middle of the screen for various vignette and toned effects.  And after finding one you like, simply drag the vignette markers larger or smaller or to various places in your photo, then spin the dials on the lower left to change the brightness of the outer circle, inner circle or contrast.  You can see the results in real time.

After you’ve settled on the vignette effects, press any one of the four toning tabs on the middle right to choose which color you’d like your photo to be.  The results can be seen in these samples.

When you settle on the vignette, outer brightness, inner brightness, contrast and tone, press the lower right Save tab.  The app saves the affected photo in your photo library and brings you right back into the app to start all over again with the same, or new, photo.

This app is a great addition to your phone camera app library.  The only two beefs I have with it are: 1) Sometimes it takes three times before the app loads the photo of my choice.  This hasn’t happened often, but it has happened enough times to cause me to realize it is an issue that should be fixed in later upgrades.  And 2) It’s difficult to gain a full understanding of how the changes you are making are fully affecting your photo.  What looks good on the small screen, might be blown out or just not what you thought it was after reviewing it on your computer in full size.  The solution is to continue to experiment until you begin to see how what you are doing in the app actually applies to real life results.

Other than that, this app is a fun, quick, easy and appealing tool to add to one’s creative photographic arsenal.

Enjoy!

(more samples below)

“Spring Greening”
Ottsville, Pennsylvania
Wednesday, April 13, 2011

iPhone 4 Camera
Hipstamatic app
Eye Scope Mobile Zoom Lens

EYE SCOPE MOBILE ZOOM LENS & TRIPOD FOR IPHONE 4

Since the past three days have been quite intense in my writings, I decided to throw in another short review of an iPhone camera accessory.  The Eye Scope is an interesting addition to the multitude of apps arriving on the scene.  It comes with a lens, lens cover, small tripod, tripod clamp, camera casing and lens cloth.  The lens is a pocket-sized 8x zoom, with a minimum focus distance of three meters, and a field of view of 246 meters.

USING THE EYE SCOPE

It cost me a little over $50 to purchase this accessory.  A buddy had an extra one and knew I was working on my 365 Day iPhone Photo Project, so he gave me the opportunity to purchase it.  It appears fairly easy to use: snap the casing onto your phone, screw in the lens, clip the clamp onto the casing, screw it into the tripod, and you’re all set.  The focus ring is a bit fiddly, since there are no stops on it, so it rotates completely around the lens barrel.  This makes focusing a bit of a guessing game, at times.  Especially when using it with the Hipstamatic app, due to the small viewfinder that the Hipstamatic displays.  One way around this issue is to focus the lens with the normal iPhone camera, then switch to the Hipstamatic app.

Otherwise, I suggest using the quirky nature of the lens, and what it can do with blur and defocus, as an artistic expression.  Here’s a few examples of what I mean by this.  During my first use of the lens, I parked along a country road and ran into a field to shoot seagulls.  I had no idea if I was in focus or not.  Obviously, I wasn’t.  But I actually like the strange and ballet-like flow of the birds created by this mistake.

Realizing that the slightly out-of-focus, or narrow depth-of-field, will add versatility to the iPhone photography potential, here are some shots of an orchard.

Here’s a stream and rocks I shot with the Eye Scope and Hipstamatic.  I altered the color temperature to this shot to be more natural.

I decided to try my fortune at shooting action scenes at a racetrack with the Eye Scope.  Shooting movement with this lens is nearly impossible.  But like I said,  if you capitalize on the blur, it can actually become a beautiful feature.  But it doesn’t work on all images, so be careful.

Here are some photos of Canadian Geese I shot with the Hipstamatic and Eye Scope during the recent flood in Harrisburg.  It is imperative to make sure the subject is in focus in shots like this, or your photo will most likely be ruined.  Notice that in each shot that the only thing in focus is the main goose.

The following two shots (a covered bridge and meadow) I photographed with the Eye Scope and Plastic Bullet app.  Notice the narrow focal plane: the trees are in focus and the covered bridge is out of focus.  This is something difficult to achieve with a normal camera phone, alone.

And lastly, here are some photos I shot in NYC with the Eye Scope, HIpstamatic and Plastic Bullet app.

None of these shots would have resulted the same by simply using the digital zoom that is in many cameras.  Actual zoom or telephoto lenses create a quality in photos that is uniquely beautiful.  Using a camera phone alone to shoot photos, produces a limited experience and result.  But by adding camera applications, like the Hipstamatic and Plastic Bullet, along with an exterior lens, like the Eye Scope, gaining artistic photographs is becoming possible at the most rudimentary level of photography cameras that are in the hands of the mass public.

For more information, or to purchase the Eye Scope, click on the following link:

Firebox website:  http://www.firebox.com/product/2974/Eye-Scope-for-iPhone

Into the Vortex

“Into the Vortex”
Friday, April 8, 2011

iPhone 4 Camera
Plastic Bullet app
12.0 MPX app

PLASTIC BULLET FOR IPHONE

Today I’ll focus on the Plastic Bullet camera phone app. It’s another toy camera app made specifically for the iPhone.  It’s one of the easier and more focused apps that does one thing and one thing only: creates random lighting and color effects in photographs shot from the app or extracted from your phone’s photo library.  It creates various dreamy renditions of your photos, from black and white, to sepia, to wild and crazy colors.  You can save in low, medium and high quality resolutions.  The only down side is that if you see something you like and you don’t save it, you’ll never be able to duplicate the exact same shot again; Plastic Bullet is that randomized in it’s setup and output.

Basic procedures to use the app are thus: Open the app.  Shoot a photo or tap on the button to choose a shot from your photo library.  Plastic Bullet does the rest.  It produces four variations of your shot.  If you like one, tap on it, and then tap the heart at the top middle of your screen to save the photo.  Once finished, or if you don’t like any of the renditions, tap the circular arrow on the top right of your screen and Plastic Bullet will produce four more variations.  And it goes on and on and on.  It takes about 30 – 60 seconds to save each photo, so you need to have patience.  The good thing is that you can choose to save the original shot and then create an infinite number of variations later.  The only down side is that this becomes quite addictive: you always wonder what the next round of four photos will look like.  Thankfully, there’s no money involved in sitting around for hours playing with this app.

Here’s what the Red Giant software site promises from it’s Plastic Bullet app.

  • Support for high resolution 2592 x 1936 maximum output with optimized engine for support of iPhone 4 (5 Megapixel)
  • Tuned development output for iPhone 4 exposure levels
  • Direct Flickr and Facebook uploading inside the application
  • Resolution choice of Low (50%), Medium (75%) and High (100%) in Settings app based on the original images size. Percentage image size support assures that small images will not be scaled up, preserving the quality of developing.
  • Maximum resolution support on 3G = 1600×1200, 3GS=2048×1536, iPhone 4 = 2592 x 1936
  • Supports iOS 4 suspend and resume so you can return to where you left off. Developing and Upload are fully interruptible (but do not run in the background)
  • Approximately 33% faster than 1.0. iPhone 4 is approximately 50% faster than 3GS.
  • Support for 7 languages including: Chinese Simplified, English, French, German, Japanese, Spanish and Swedish

SETTING UP PLASTIC BULLET

As I mentioned yesterday, some apps can be altered in your phones settings folder.  Simply open Settings.  Then scroll down until you see Plastic Bullet.  Click the arrow.  Now you have the choice to:

Save Original

Use Flickr and Facebook

Save as Low, Medium or High Resolution

I suggest clicking “on” for saving original and sharing through Flickr and Facebook, if you have accounts with one or both of them.  Then choose high resolution for developing.  Like I said in yesterday’s post: always, always, always choose high resolution.

EXAMPLES OF MY PHOTOS PROCESSED WITH PLASTIC BULLET

Here are several shots I processed with the Plastic Bullet.  I’ll let it up to you to decide which ones you like and which ones you don’t.  But it definitely opens up doors for creative interpretation of your iPhone photos.  I posted both a slideshow and a gallery for those who like one or the other better.  In the gallery, simply click on a photo if you want to see it larger.  After viewing my sample shots, it’s time to purchase your own phone apps and get out and shoot!

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“Waiting for Dinner”
Houlihans Restaurant, Hershey, Pennsylvania
Thursday, April 7, 2011

iPhone 4 Camera
Hipstamatic app

Lens: John S
Film: Kodot XGrizzled
Flash: Off

MY EXPERIENCE WITH USING THE HIPSTAMATIC APP

55 days into my 365 Day iPhone Photography Project, I felt it was time to start writing about some of the camera phone applications I’m using and that are available to the public.  These Apps range in cost from free to several dollars, and some are fads, but others genuinely can aid someone interested in producing better photographs with their camera phones.  Here’s a list of the Apps I’ve purchased so far and uploaded onto my iPhone 4 camera:

Hipstamatic

Swanko Lab

Tilt Shift Generator

Plastic Bullet

Panoramic Auto Stitch

12.0 MPX

Perfect Photo

Picture Show

Clear Cam

Camera+

Dynamic Light

Instagram

Photo fx

Over the next year, I’ll write about these, and other, Apps from a personal perspective, concerning what it’s like to work with them on the run.  This blog isn’t meant for professionals, as much as for people who just want to improve their camera phone photographs.  Today, I’ll stick with the Hipstamatic.  I won’t share all the details of this App, but more about how I use it, and some ways I work around its quirks.

In general, I really like this App.  And it’s what initially ignited a surprise creative burst in me and a desire to jump into my own 365 Day Hipstamatic project.  It mimics the toy cameras of yesteryear and gives one the ability to “choose” certain lenses, film stocks and flashes, shooting square photos, reproducing the images of antiquated analog cameras.  Each film, lens and flash also creates different effects and borders around the prints.  I like the fact that one can also purchase extra accessories down the road, when ready for something new.  And it appears that Hipstamatic will continue to create new accessories in the future.  I purchased the basic Hipstamatic App package for $1.99, along with other film stocks and lenses for ninety-nine cents each.

What I find interesting is that for as long as the photography camera has been around, and even moreso wtih with the digital revolution, the general desire has always been to improve photographic quality by reducing grain and gaining greater control over depth-of-field.  The unique characteristic of camera phone Apps like the Hipstamatic is that it degrades the image in various ways.  And makes it impossible to gain control over manual focus.  Yet people are going crazy in shooting everything with these Apps without thinking through how and why they are using them.  Like anything else, they are a tool.  And tools can be used well, or poorly.

Interestingly, the entire history of the Hipstamatic might be a myth employed for a brilliant viral internet campaign.  Follow this link to read the fascinating story.

http://lifeinlofi.com/2010/12/23/news-wausau-city-pages-uncovers-the-real-hipstamatic-backstory/

Either way, it received Apples App of the Year award.

Several people have told me that they have begun shooting with the Hipstamatic App since following my project.  That makes me happy.  And others have turned me on to other Apps that I will experiment with and pass along to you.  I won’t go into all the film stocks, lenses and flashes, today, simply because part of the fun is exploring all the possibilities this App offers.  But I will show four of my Hipstamatic shots, some untouched, side-by-side with a few alterations I made in iPhoto, for those who want help in adjusting shots for a stronger impact.  Some of you may not have Apple computers and iPhoto, but any general photo editing software will give basic abilities to alter an image.  I’m choosing iPhoto for this project, in general, because it’s in keeping with the basic premise and purpose I set for this project: to shoot with the rudimentary iPhone 4 camera and Apps, as the most basic photographic tool in the hands of the mass public, in order to create artistic images..  Photoshop can get too deep for this project, but for those who know how to use it, I’ll throw in a special tip at the end of the post for increasing the resolution of your low-res prints.

EXAMPLE #1

Here are two versions of today’s Photo of the Day: one untouched (left) and one color corrected (right).

As you can see, the untouched photo has an overwhelming greenish cast.  Some people may like this as an effect.  Personally, I don’t.  It comes off eerie and reminds me too much of the 60s and 70s, which is what it’s trying to do.  So I do a little tweaking in iPhoto.  Here’s what I did to the shot on the right.  I’m only listing settings that I changed.  All settings not listed are left at their default settings.

Exposure: .40 (up from 0)

Definition: 56 (up from 0)

Shadows: 24 (up from 0)

Sharpness: 45 (up from 0)

Temperature: -38 (down from 0)

Tint: -100

Grant it, I went a bit extreme on my settings.  But using the Hipstamatic can do extreme things to your work, so it takes extreme settings to bring it back to normal.  But it’s not always possible to do so.  And this is an extreme case of indoor, night-time lighting.

EXAMPLE #2

Here’s another example from Day 3 of my project.

“Watcher By My Bed”
Monday, February 14, 2011

Lens: John S
Film: Alfred Infrared
Flash: Off

Once again, the original is on the left and the color corrected version on the right.

The original version is too red for me.  So I toned it down and made it more dark chocolate in hue.  Also, the Alfred Infrared film produces a white border around this photo.

Here are the iPhoto settings for the photo on the right.

Saturation: 16 (down from 50)

Definition: 100 (up from 0)

Much of it comes down to personal taste, but I’m giving examples for the “average Joe” who just wants to shoot photos creatively, but doesn’t quite know how to simply alter a photo from their camera/Apps for a better final product.

EXAMPLE #3

Here’s another example from an outdoor shot for Day 12.

“Star Barn Reborn”
From the album: Star Barn Reborn

Wednesday, February 23, 2011
Lens: John S
Film: Kodot XGrizzled
Flash: Off

It may not be easy to tell from this small reference photo, but the original photo on the left is very green, again.  The iPhoto settings for the improved photo on the right are:

Contrast: 23 ( up from 0)

Definition: 25 (up from 0)

Sharpness: 23 (up from 0)

Tint: -59 (down from 0)

My final settings pop the blue sky and the browns, blacks, caramels and blues in the wood.  And I also pumped up the definition and contrast and sharpness to accent the wood grain.

EXAMPLE #4

Here’s one more example from Day 29:

“The Guardians”
The Susquehanna River
Harrisburg, Pennsylvania, USA
From the album: Harrisburg Flood: Sepia
Saturday, March 12, 2011

Lens: John S
Film: Kodot XGrizzled
Flash: Off
Additional lens: Eye Scope – Mobile Zoom Lens for the iPhone 4

I actually really like both versions of this shot, but in the end the right one won out, simply because it was warm and hopeful.  And I had already posted several shots similar to the photo on the left in color and tone, so I went with the bold variety shot.

Here’s the iPhoto settings for both photos:

Left photo:                                                                            Right photo:

Exposure: .15                                                                         .40

Saturation: 66                                                                          0

Definition: 11                                                                           11

Shadows: 18                                                                            67

Sharpness: 22                                                                         22

Temperature: 0                                                                    100

Tint: -42                                                                               -100

ADJUSTING SETTINGS TO APP

Here are a few settings you should know about.  Go to Settings in your iPhone.  Scroll down to the Hipstamatic App and open it.  Click on Viewfinder Mode and click Precision Framing.  The Hipstamatic does not provide exact framing for shooting exactly what you see in the viewfinder, but at least shooting in this mode will increase your chances of framing your shot well.  Also, unless you are learning the app and want to experiment willy-nilly with all the accessories, I recommend turning off Shake to Randomize.  It’s rather annoying to anyone who knows what they are trying to create, because simply by bumping or shaking the camera, it completely changes your choice in lens, film stock and/or flash.  Again, this can be good for learning about the various options you have, but once you know your likes and dislikes and how the various accessories affect your final product, definitely turn the button off.  And lastly, turn on the Auto-Save to Library.  The Hipstamatic saves your prints in it’s own app area, and you can simply click on the image, then click the left arrow button to open a new window where you can: Share on Facebook, Upload to Flickr, Post to Tumblr, Send in Email, or Save to Photo Library.  If you don’t plan to keep most of your shots, then you can save them one at a time here.  Otherwise, use the Auto-Save to Library.

INCREASING THE RESOLUTION OF LOW-RES SHOTS

First of all, always, always, always, (did I say always) shoot with the highest resolution possible with digital cameras.  Most people don’t realize you can change the settings of camera phone apps from low, to medium or high resolution.  For the Hipstamatic, you don’t do it in the phone Settings area, you actually change the quality of the photo where you choose the lens.  After opening the app, click on the little curved arrow on the bottom right of the screen.  This should bring up your lens selections.  By scrolling sideways, you can see your options.  When you find one you like, simply stop.  You should see a “lever” on the left of the lens.  With your finger, slide the lever up and down.  The lowest position is for low quality.  The middle position is for medium quality.  And the highest position is for high quality images.

Also, you can do something in post to improve the resolution for printing larger prints, if you know your way around Photoshop.  I learned this trick from my friend Ally McKay.  She and her husband David are good friends and terrific photographers in Sacramento, CA.  You may visit their website here:

http://www.mckayphotography.com/

Basically, camera phone shots aren’t the highest mega-pixel cameras on the market.  So a little fix (but by no means better than buying a higher-res camera) is to go into the IMAGE setting in Photoshop and increase the resolution by 110%.  Keep doing this until you reach the size of the photograph you want to print.  Although it’s controversial and there are various theories about how to best up-rez a photo, Ally highly recommends that by increasing the photo by 10%, it is the best formula for computing and increasing pixels/resolution without damaging the image.  I’ll keep you posted as I continue to experiment with this process.

Here’s another blog post where a photographer walks you though up-rezzing by 25% increments.

http://www.have-camera-will-travel.com/field_reports/how_to_up-rez_an_image.html

HEADS-UP: THE GOOD WITH THE BAD

One major issue I’ve experienced with the Hipstamatic App is this: it allows you to take up to nine photos at a time, which get stored in a queue while processing.  It takes several minutes for the camera to catch up and process all the shots.  But sometimes, with no warning, the App will shut down and when you open it back up, it will halt for a moment with a fatal message: “wiping lens’, but what it really means is this: “erasing all photos in the queue”.  I can’t tell you how many dozens of shots I’ve lost because of this App’s quirky malfunction.  But it’s not enough of a hassle for me to toss it out.  I figure the company will eventually fix the problem.  In the meantime, either slow down while shooting, so the App can keep up with you, or take the risk and keep the queue filled up.  It’s a crap shoot to keep the queue filled, but maybe it’s just an issue with my camera.

And one last warning: certain lens and film stock choices will make people look very bad.  Unless you want to turn family and friends against you, I suggest you erase those shots, or learn which film stocks or lenses turn people green or add 40 years to their faces–and then avoid them like the plague when shooting portraits.

CONCLUSION

Overall, I really enjoy using the Hipstamatic.  I never liked square formats, but for some reason I’m really digging it now with this App. It’s challenging my creative eye in new ways. And I love the X-Grizzled ragged-edge border it can give to the photos.  But I also realize that one of the reasons I like it is because its new.  Once it gets familiar, I’m sure I’ll move on to something else new and exciting.  But as long as the company produces new accessories, they might have me hooked for years to come.  And for now, it’s fun and adding new dimensions to my creativity.

“Squandered”
Parking Lot, Hummelstown, Pennsylvania
Saturday, March 26, 2011

iPhone 4 Camera
Hipstamatic app

Lens: John S
Film: Kodot XGrizzled
Flash: Off

Parking my Tangerine colored Element, I pulled out my gym bag and reached into it to grab my gym membership card, only to pull out a dried, prune-like orange.  Casting it aside and watching it roll to a stop on the pavement, I couldn’t help but view this as another 365 Day iPhone Photo of the Day moment.  So I yanked out my iPhone and knelt onto the ground.  What draws me to this image is the texture and color.  It would not work as a black-and-white image.  The aged, textured, painted white parking line, angular and straight, juxtapositioned against the cold, dark, rough macadam, which echoes the dried, orange, brown and blackened surface of the fruit, makes a strange, but fascinating image.

Realizing that I had forgotten to eat this fruit after one of my workouts, and never one to ignore a good symbol staring me in the face, I couldn’t help but ponder the message in this image: from missing a timely harvest, literally and figuratively,  to squandering talents and gifts.  But good art speaks for itself, so I’ll allow the viewers to create their own stories and messages from this image.

“In The Land Of Milk And Honey”
Wednesday, March 16, 2011

iPhone 4 & Panarama Auto Stitcher App

In light of the unimaginable natural disasters that struck Japan this past week, it behooves us all to take stock of just how fortunate we are in this county. With 4,000 confirmed dead, possibly tens of thousands still missing, and devastations still unfolding, from the earthquakes, tsunamis, and potential for nuclear power plant meltdowns, and with world-wide ramifications yet to unfold, an estimated 140,000 people are stranded and quarantined within the radiation danger zone, waiting in lines for over 12 hours just to buy food and necessities.

Here in America, we live in a country where most of our citizens are richer than the rest of the world. We have only to walk down to our local grocery store to realize just how many choices and blessings we have here. In just the cereal aisle alone, we are presented with a dizzying display of breakfast brands. Overwhelming, in fact. And unless one travels around the world to see just how few choices most people have in cereal, it’s easy to think our extravagance is the norm.

I’m seeking to allow the hardships, pain and suffering of all those facing these tragedies to instill in me a new sense of solemnity, reflection and gratitude. It’s easy to grow fat and lazy while grazing in the land of milk and honey. Let’s seek to do otherwise.

Note: While shooting the series of shots for this panoramic image (20 shots, to be exact), I was approached by the store manager who forbade be from taking any photos in the store. Very interesting. Prior to his demand, I was able to snag just enough to stitch this shot together using the Panoramic Auto Stitch phone app, but I find it interesting that in an age when everyone is carrying a cell phone camera, how can stores and establishments possibly enforce a no-photo-taking policy? Stay tuned for an interesting battle ahead over public freedom vs. corporation rights.

“The Hot Seat #1”
From the album: Model: Jill Bugbee
Friday, March 4, 2011

iPhone 4 & Hipstamatic App

Lens: John S
Film: Kodot XGrizzled
Flash: Off

Using as inspiration a pop culture photo contest for a rudimentary iphone camera application called the Hipstamatic app, I decided to photograph several models on a run-and-gun, unplanned shoot. Ben Gaskell was my Lighting Director/Technical Guru, and I used the modeling skills of Ben, his girlfriend, Will Martinez and Jill Bugbee. The theme was “Fashion Gone Rogue”. Voting takes place over the next five days, so we’ll see if people think we succeeded. This shot of Jill represents one of the best images from the hundreds taken during the entire day. For voting, please scroll down my FB wall to each shot and click on “like”. Or click on the link and then the Twitter link to tweet your vote. Thanks! Enjoy the rest of the shots.